• 'Phantom Lady' or 'Kismet' 1996-1998 | (c) Pushpamala N
  • 'Phantom Lady' or 'Kismet' 1996-1998 | (c) Pushpamala N
  • 'Phantom Lady' or Kismet' 1996-1998 | (c) Pushpamala N
  • 'Phantom Lady' or Kismet' 1996-1998 | (c) Pushpamala N
  • 'Phantom Lady' or Kismet' 1996-1998 | (c) Pushpamala N
  • 'Sunhere Sapne' or 'Golden Dreams' 1998 | (c) Pushpamala N
  • 'Sunhere Sapne' or 'Golden Dreams' 1998 | (c) Pushpamala N
  • 'Sunhere Sapne' or 'Golden Dreams' 1998 | (c) Pushpamala N
  • 'Sunhere Sapne' or 'Golden Dreams' 1998 | (c) Pushpamala N
  • 'Bombay Photo Studio series-Navarasa Suite - Bhayanaka-2000-03' | (c) Pushpamala N
  • 'Bombay Photo Studio series-Navarasa Suite - Bhibhatsa-2000-03' | (c) Pushpamala N
  • 'Bombay Photo Studio series-Navarasa Suite - Shringara-2000-03' | (c) Pushpamala N
Eye of the beholder

Pushpamala N (born in 1965) is a Bangalore based photography and video performance artist. Starting out as a sculptor with an interest in narrative figuration, Pushpamala N eventually took to casting her own body as various characters and personae in the medium of photo-performance. Interested in exploring photography as a medium of narrative fiction, she drew heavily from the history and traditions of cinema for her work. Recently she has also been using experimental short films, live performances and sculptural tableaux to explore the ideas that fascinate her. In this interview she talks about the synergy between movies and photographs, takes us into the fantastical and intriguing world of her art, discusses her work and traces its roots in cinema, explains her oeuvre that stands firmly in the middle-ground between film and photography and tells us that, in India, cinema and photography both created and recorded the country’s modernity.

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Eye of the beholder: Pushpamala N

Interview
November 2012